Michel Auder

Known for DirectingSoissons, Aisne, France

Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.Read more

Movies & web series

Chronicles: Morocco

Keeping Busy

Chasing the Dragon

The Feature

Voyage to the Center of the Phone Lines

Chelsea Girls with Andy Warhol

Birth of a Nation

Fun and Games for Everyone

Langlois

Chromo sud

Cleopatra

Homeo

Fictional Art Film

High Life

Gulf War TV War

The Course of Empire

Phone content HQ6s02 BERLIN CAMERAROLL

1967

Daytime Version of the Night

Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)

Endless Column

Narcolepsy

Blind Sex

Confession

Heads in Love

Shoppingheads

Alice Neel Paints Margaret

Chelsea, Manhattan - NYC

It's Hard to Be Down When You're Up

Apocalypse Later - Hudson

Bitte Danke

My Last Bag of Heroin (For Real)

Polaroid Cocaine

Roman Variations

Magnetic Notes, 1986-1987

Brooding Angels

Coupla White Faggots Sitting Around Talking

Talking Head

48 Hours in 8 Minutes

Jesus

Seduction of Patrick

My Love

Made for Denise

The Valerie Solanas Incident

The Stone Age

Home Movie : Marrakech