Madge Evans

Known for ActingBorn 1909-07-01Died 1981-04-26New York City, New York, USA

Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark. By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927). Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.Read more

Movies & web series

Heartbreak

Home Wanted

Helldorado

The Bard of Broadway

Envy

Hallmark Hall of Fame

The New South

Fast Life

Three Green Eyes

What Every Woman Knows

Hallelujah, I'm a Bum

Your Show of Shows

Death on the Diamond

Pennies from Heaven

Exclusive Story

The Alcoa Hour

The Mayor of Hell

Beauty for Sale

Espionage

Made on Broadway

Huddle

Classmates

On the Banks of the Wabash

Lux Video Theatre

Love Net

Army Girl

Piccadilly Jim

The Philco Television Playhouse

Dinner at Eight

Brother, Can You Spare a Dime?

David Copperfield

West of Broadway

The Thirteenth Chair

Men Without Names

The Show-Off

Fugitive Lovers

Calm Yourself

The Nuisance

Lovers Courageous

Hell Below

Guilty Hands

Son of India

The Greeks Had a Word for Them

Are You Listening?

Studio One

Matinee Theater

The Tunnel

Sinners in Paradise